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Berkeley Num 8,1954. Oil on canvas. The Richard Diebenkorn Foundation.2016-05-21T03:46:58+00:00monthlyhttps://arthouse23.com/2016/05/11/maybe-next-week/2016-05-11T18:14:04+00:00monthlyhttps://arthouse23.com/2016/04/12/two-or-three-things/2016-04-12T23:32:47+00:00monthlyhttps://arthouse23.com/2016/04/06/semantics/2016-04-06T16:27:18+00:00monthlyhttps://arthouse23.com/2016/03/30/storytelling/2016-03-30T22:05:05+00:00monthlyhttps://arthouse23.com/2016/03/23/a-painting-primer/2016-06-05T18:45:59+00:00monthlyhttps://arthouse23.com/about/2016-03-23T15:38:57+00:00weekly0.6https://arthouse23.com/2016/03/09/bonnarding/2016-03-09T18:18:14+00:00monthlyhttps://arthouse23.com/2016/02/24/elevating-the-ordinary/2016-02-24T01:25:55+00:00monthlyhttps://arthouse23.com/2016/02/10/awe-some/2016-02-11T03:33:12+00:00monthlyhttps://arthouse23.com/2016/02/03/who-what-when-where-and-why/https://arthouse23.com/wp-content/uploads/2016/02/and-you-wonder-2011.jpgAnd You Wonder 20112016-02-03T19:31:37+00:00monthlyhttps://arthouse23.com/2016/01/19/whats-next/https://arthouse23.com/wp-content/uploads/2016/01/studio-wall.jpgstudio wall2016-01-19T18:56:46+00:00monthlyhttps://arthouse23.com/2016/01/07/hearing-voices/2016-01-07T03:59:22+00:00monthlyhttps://arthouse23.com/2015/12/16/why-create-ask-the-experts/2015-12-16T19:42:42+00:00monthlyhttps://arthouse23.com/2015/12/09/once-more-to-the-breach/2015-12-09T18:58:44+00:00monthlyhttps://arthouse23.com/2015/12/02/more-than-the-sum-of-its-parts/2015-12-03T02:53:14+00:00monthlyhttps://arthouse23.com/2015/11/17/nice-hat-youre-wearing/2015-11-17T20:46:26+00:00monthlyhttps://arthouse23.com/2015/11/11/am-i-blue/2015-11-12T00:29:40+00:00monthlyhttps://arthouse23.com/2015/11/04/picture-this/2015-11-05T02:38:01+00:00monthlyhttps://arthouse23.com/2015/10/29/dance-as-if-no-one-is-watching/2015-10-29T05:58:45+00:00monthlyhttps://arthouse23.com/2015/10/21/lchaim-to-life/2015-10-21T19:16:10+00:00monthlyhttps://arthouse23.com/2015/10/14/to-be-or-not-to-be-or-may-the-force-be-with-you/2015-10-14T20:22:02+00:00monthlyhttps://arthouse23.com/2015/09/30/asking-questions-making-connections-making-choices/2015-09-30T19:12:35+00:00monthlyhttps://arthouse23.com/2015/03/03/tortured-artists/2015-03-03T23:52:56+00:00monthlyhttps://arthouse23.com/2015/01/07/necessity-is-the-mother-of-invention/2015-01-07T17:02:45+00:00monthlyhttps://arthouse23.com/2014/12/29/home-for-the-holidays/2014-12-29T15:47:38+00:00monthlyhttps://arthouse23.com/2014/12/11/dora-the-explorer/https://arthouse23.com/wp-content/uploads/2014/12/finshed-piece-in-red.jpgfinshed piece in redhttps://arthouse23.com/wp-content/uploads/2014/12/3-painting-on-the-floor.jpg3. painting on the floor.https://arthouse23.com/wp-content/uploads/2014/12/2-some-inspirtation-and-a-cut-out-from-the-whole.jpg2. some inspirtation and a cut-out from the whole.https://arthouse23.com/wp-content/uploads/2014/12/1-set-up.jpg1. set up2014-12-11T18:53:34+00:00monthlyhttps://arthouse23.com/2014/11/19/roots-and-wings/2014-11-19T20:14:36+00:00monthlyhttps://arthouse23.com/2014/11/12/senses-and-sensibilities-2/2014-11-12T05:50:39+00:00monthlyhttps://arthouse23.com/2014/11/05/wild-again/2014-11-05T16:56:50+00:00monthlyhttps://arthouse23.com/2014/10/28/in-process-the-begining-the-middle-well-wait-to-see-the-end/https://arthouse23.com/wp-content/uploads/2014/10/photo-16.jpgphoto 16Adjusting color. Capitivated by the velvety dark and outrageous berry color. Never have used a palette like this. Time to quit for the day. Next studio day I will spend time analyzing compositional structure and work to develop tension AND harmony. But the biggest question will be "what connects me to this? Where is the strongets pull?" Do I keep color or use it as a base for a creamy white veil? Do I add more contrast or make an evening glow? Simlify or make more complex? What does it want to be about? Where do I want it to take me? Where do I hope it might lead a viewer? Do I want it to relate to the rest of the work in the studio? Maybe I just want to explore the mood of color in similarly structured landscapes? Don't know yet. I will think about this painting as I fall asleep and as I ready for tomorrow. I might reveiw work by artists I admire and see what they can tell me about my work. Do I want to emulate them, or go the other way? Hopefully there will a time to stop thinking about it after I ponder the questions? We'll see what happens.https://arthouse23.com/wp-content/uploads/2014/10/photo-15.jpgphoto 15https://arthouse23.com/wp-content/uploads/2014/10/photo-14.jpgphoto 14https://arthouse23.com/wp-content/uploads/2014/10/photo-13.jpgphoto 13Unifyng dark areas. Again, a mixed glaze intrigues, so I apply it to much of the piece.https://arthouse23.com/wp-content/uploads/2014/10/photo-12.jpgphoto 12https://arthouse23.com/wp-content/uploads/2014/10/photo-11.jpgphoto 11Liking the previous variation, but not particularly excited, wanting to push into someplace I haven't been before, I grab some black for bold darks and began to play with intense colors. Begin to "coach" out original structure.https://arthouse23.com/wp-content/uploads/2014/10/photo-10.jpgphoto 10Turned paintng upside down again. (as it originally began) Unifying areas, lookng for a sense of sky. I'm always attracted to horizens.https://arthouse23.com/wp-content/uploads/2014/10/photo-9a.jpgphoto 9ATurned painting upside down and lay in the shapes in lights and darks of new subject. https://arthouse23.com/wp-content/uploads/2014/10/photo-9.jpgphoto 9Two days later--can't find original subject. I google the same geographic area and find this photo I connect with. Love the sweeping energy of the white across the page.https://arthouse23.com/wp-content/uploads/2014/10/photo-6-3.jpgphoto 6 (3)Glaze most of the painting. I'm excited at this stage, but no more time to 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Gogh Olive Grove 18992012-09-10T17:20:24+00:00monthlyhttps://arthouse23.com/2012/08/28/the-skys-the-limit/2012-08-28T06:55:57+00:00monthlyhttps://arthouse23.com/2012/08/21/a-cigar-takes-time/https://arthouse23.com/wp-content/uploads/2012/08/too-much-whiskey3.jpgtoo much whiskey, perhaps?2012-08-22T04:32:51+00:00monthlyhttps://arthouse23.com/2012/08/08/swimming-to-pieria/2012-08-08T16:37:40+00:00monthlyhttps://arthouse23.com/2012/07/31/light-and-substance/2012-07-31T06:47:31+00:00monthlyhttps://arthouse23.com/2012/07/25/as-that-is-to-that/https://arthouse23.com/wp-content/uploads/2012/07/self-portraitbyrembrandt1.jpgself-portraitbyrembrandthttps://arthouse23.com/wp-content/uploads/2012/07/lesson_chiaroscuro1_61.jpgLesson_Chiaroscuro1_6https://arthouse23.com/wp-content/uploads/2012/07/chiarscuro1.jpgchiarscurohttps://arthouse23.com/wp-content/uploads/2012/07/chiaroscuro-landscape1.jpgchiaroscuro 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Nebakerhttps://arthouse23.com/wp-content/uploads/2012/05/redon-flower-clouds-19031.jpgRedon Flower Clouds 1903[1]https://arthouse23.com/wp-content/uploads/2012/05/pablo-picasso-hand-with-flowers-large-11935201931.jpgPablo-Picasso-Hand-with-Flowers-large-1193520193[1]https://arthouse23.com/wp-content/uploads/2012/05/okeefe.jpgO'Keefehttps://arthouse23.com/wp-content/uploads/2012/05/okeefe-jack-in-the-pulpit.jpgO'Keefe. Jack in the 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